REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
Anthony Locks is a Jamaican who lives in the German city of Stuttgart who has been
steadily making a name for himself as a performer in Germany and in the
Netherlands. Because of his many stage shows over the last couple of years he has
become quite well known in the scene around these parts. The reggae rebel's latest
album Cry Freedom boasts seventeen self-produced tracks of modern roots
reggae.
After a false start, it is not until the third song that Cry Freedom really
takes off and the tunes get better in inspiration, interpretation and flow. There
are quite a few songs built around some spot on observations, notably 'New Year'
and 'Brothers' and these provide the album with a powerful edge.
Anthony Lock's reasoning suffers from some sort of schism. He claims he is an
African and Israelite in 'Know Your Self' and 'African Truth', he calls on Jah and
becomes mad at Babylon for trying to steal his Caribbean culture in 'Greedy'. Yet
he lives in Europe and derives his income from selling his culture to the same
Babylon he so despises. Seen?
Cry Freedom uses mostly original but also some borrowed riddims. The
uncredited use of Dennis Brown's 'Hot Like A Melting Pot' under the above
mentioned 'Greedy', a song about theft of culture, is inconsistent at least. On
the 'Interlude' he uses a stolen a hip-hop beat (50 Cent's 'Candy Shop') and later
he claims to be a 'Rockers Man'. Wha?
Though Cry Freedom is a lot better than your average self-produced reggae
album none of the songs on it leave a really lasting impression. Still, there is
plenty to enjoy on Cry Freedom. Nearly all riddims are crisp and bouncing
and roots inspired and Anthony Locks knows how to make the most from his limited
vocal abilities. He switches amazingly easy from chanting to deejaying and vice
versa. He has a way with words and certainly writes interesting lyrics.
(Teacha Dan, March 2009)
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