Groundations fourth studio album. This time with the vocal aid of Apple Gabriel and Don Carlos.
Comes in a digipack.
REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
(The original Dutch version of this review was published in the Cannaball paper, may 2005)
Groundation's previous (third) album Hebron Gate is a delightful album and the first of the band to receive
international distribution. What a revelation for all reggae and non-reggae listeners who heard the album being
squeezed through speakers. This is good, every tone is right, every tempo change effective and the collective play
and the breaks are unprecedented. Goose bumps galore!
Directly after this brutal introduction I tried to find the previous albums of Groundation; Young Tree
(1999) and Each One Teach One (2001). After a long search they were found and listening to them made clear
that the quality of Hebron Gate was no coincidence nor a chance hit.
Groundation is from California (US) and was founded by a number of Jazz students at the Sonoma State University.
Here they met and besides creating jams and deep reasonings they came up with a technically and emotionally
brilliant reggae sound. After setting up Young Tree Records and their first own release they quickly came in
contact with a host of legendary Jamaican artists. This is the how it came to be that the following Groundation
albums were mixed by Jim Foxx, known by the (dub) albums he mixed for Black Uhuru, Israel Vibration, Culture and
Don Carlos, amongst others. For their second album Groundation was strengthened by Ras Michael and Marcia Higgs
and on their third outing the party became even more colored with the joining of Cedric Myton (of the Congo's) and
Don Carlos.
On We Free Again (late 2004) Don Carlos is there again and he is in his usual form of excellence. On this
album Apple Gabriel is also added to boost the sound, he does a lot of backing vocals just as he used to do with
Israel Vibration which gives the overall singing a haunting quality and real rootical feel. Apple's voice matches
fantastically with the voice of Prof. Harrison Stafford, Groundation's main singer. Stafford is not a singer in
it's purest form, in fact he does not even have a real singing voice. He delivers a sort of creaking falsetto sound
with so much intention and emotion that it becomes like an instrument. One of the many instruments of the band
played with virtuosity: beautiful, surprising and gripping.
The arrangements on We Free Again are again very good. The album has a higher tempo and a more rocking feel to it
than Hebron Gate. The soundscapish panoramic vista's are fewer but goose bumps are guaranteed thanks to the
typical ripping gripping Groundation sound. Put the headphones on or put the speakers at maximum and experience
that music!
(Teacha Dan)
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