REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
Every few years a new album by veteran singer Little Roy appears out of
the blue. It has been seven years since his last album release, More
From A Little in 1999. That very nice set was produced by Ronnie Lion
for his Lion Inc. label. Multi-talented producer, composer and arranger
Ronnie Lion is also the bass player for UK roots outfit the Amharic.
Their last release has been Descendants (2002) on the then new
Pharos label, the same label which is now responsible for Little Roy's
latest.
This release was preceded by the cd-single of Stay A Little Bit
Longer (Pharos, PHR 016), a swaying, shuffling cover version of Delano
Stewart’s 1969 rocksteady hit record. Little Roy's 2005 version did pretty
good in the UK charts and it paved the way for the release of this album
on which the tune of course is included.
Children Of The Most High kicks off with a beautiful new rendition
of 'Bongo Nyah'. The Bongo Nyah riddim has recently been reused for a
release of singles on the Joe Fraser label in February of 2004. On the
Fraser riddim set Little Roy's original was covered by Lloyd Brown and now
Roy publishes his own new rendition of his ancient 1969 gem.
'Bongo Nyah' is not the only retake on Children Of The Most High,
there also updated versions of the brilliant tune 'Christopher Columbus'
and of 'False Talk', a song Little Roy recorded with Willi Williams some
years back. The album lacks new and fresh material because it finishes with
three more cover versions. 'Our Day Will Come' is a cover of the 1963 US
soul hit by Ruby & the Romantics, the above mentioned Delano Stewart cover
is present and the somewhat awkward 'My Sweet Lord' is a reworking of
ex-Beatle George Harrison's 1970 Hare Krishna praising world hit. Little
Roy omits the "Hallelujah", "Hare Krishna" and "Hare Rama" utterances and
replaces them with "Rastafari", "Lion of Judah" and "King of kings".
Of the few new songs on the disc, the deliciously melodic herb-anthem
'Bomazee' sticks out. Terrific backing vocals, thumping bass, straight
forward and uncomplicated riddimtrack, nice! Other fresh material is
present in the form of 'Heat' and in the rock influenced 'Membership
Card', which was released on a 7-inch 45rpm record. For it's intro Little
Roy overstretches his voice to Junior Byles-esque proportions. The song is
pretty good but I really feel that Little Roy's voice and his audience
benefit more from an easier, more emotional vocal approach to his songs.
The Pharos label works with some big names on their recordings. On keyboard
they have On-U stalwart Bubblers Ogilvie and on guitars they boast Ariwa
multi-instrumentalist Black Steel and Roots Radic Sowell Bailey. Most of the
tracks are mixed by Albert Chemist Thompson, Peter Chemist's brother. Both
brothers used to work as engineers at the Channel One recording studio and so
the sound of the recording is as heavy and crisp as you might expect.
Not all songs are strong on Children Of The Most High. The best tracks
for me are 'Bomazee' and the reworkings of 'Bongo Nyah' and 'Christopher
Columbus'. Because the best part is the first part and because the set
finishes with three reggae covers of non-reggae sixties songs the album
leaves you slightly out of balance. But then you press play again and let the
music take you away again.
(Teacha Dan, April 2006)
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