REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
The 1978 One Love Peace concert which was held on the twelfth
anniversary of Haile Selassie's visit to Jamaica and in Kingston's
National Stadium, has reached a near mythical status. Which reggae
or pop enthusiast does not have vivid memories of watching video
recordings of the show? Who has not seen Bob Marley join the hands
of the leaders of the two warring political parties under a
thundering sky? PLP leader Michael Manley and the JLP's Edward
Seaga shook hands, reluctantly, but still they sent out a message
of reconciliation on this crucial night initiated by Claude Massop
and Bucky Marshall, former warlords for the two parties. Who does
not recall big belly bouncing Jacob Miller rocking his audience
with 'Peace Treaty'? Watching these images will put a smile on
anybody's face.
Peter Tosh also performed on that night of the 22nd of April.
Dressed in black karate attire, he gave a very political and even
for Tosh's standards a very militant show. He performed some of his
biggest and most biting hits and allowed himself plenty of time to
make his bold political statements right in front of the political
elite who were present and whom he addressed personally. There were
some 40.000 in attendance including loads of journalists with their
recording equipment to cover the event that would finally bring Bob
Marley back to Jamaica after the attempt on his life the previous
year.
Over the years many different bootlegs have appeared of nearly
every piece of the One Love Peace concert, with the Peter Tosh
section being one of the most sought after. Sought after for the
excellent backing by Word Sound and Power, consisting of Sly &
Robbie, Al Anderson, Mikey Chung, Robbie Lynn, Keith Sterling and
Scully Simms. The musicians play some nice variations and really aid
the show with their militant style. The recording is perhaps even
more sought after for the incredible speeches Peter Tosh delivers.
When one listens to Tosh's raving, taunting and funny speeches which
are luckily included on this Pressure Sounds issue you immediately
understand the demand.
The sound quality of the illegal issues of the recordings made of
Peter Tosh's appearance is mostly very bad and this issue is not
crystal clear either. Now on this issue at least it sounds like music
and one can really listen to and understand the speeches. Pressure
Sounds claims that this is the Peter Tosh section of the One Love
Peace concert in it's entirety but why then are some tunes still
being faded out and why are most of the transitions between tracks
so rough? Pressure Sounds should have invested a little more time
in the restoration process, or should have been honest in the further
excellent liner notes by Harry Hawke.
The inclusion of the acoustic second disc definitely enhances the
collectibility of this issue. It consists largely of recordings that
were made of Peter Tosh while he was touring in the US and did some
radio show appearances in between shows. The recordings are of some
beautiful renditions of Peter Tosh songs and have him singing solo and
strumming his own songs on his own guitar. This gives the second cd a
totally different feel but in essence still a same kind of intensity,
and it shows without doubt Peter Tosh's very able and crafty
musicianship.
(Teacha Dan)
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