REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
The Black Loyalist is not only the title track of Skabaka's album, it also
reflects his approach to music. He is black and a loyal descendant from the people
of Sierra Leone, a mixture of freed American slaves, Jamaican Maroons and
Africans, and it is exactly this musical mixture that is put forward on Shabaka's
album; reggae, rap, blues, soul and African.
The album has been divided into two discs and four sections; the story, the bonus
tracks, the instrumentals and the dubs, the most interesting part being the story.
It consists regrettably of only five tunes and two remixes with rapper/poet
Joaquin Evans. As an unwanted side effect the double inclusion of the two tunes
does also mix up the listener's experience of the story that is an account of the
journey of a generic African spirit. It is not a traditional cohesive narrative
but a poignant one none the less.
'African Spirit' is a celebration of emancipated souls and serves as a cleansing
to get the audience in the right mindset for the story. 'Black Loyalist' relates
the predicament and victory of Thomas Peters, who brought nearly twelve hundred
freed slaves with him back to Africa in 1792 and founded Freetown in Sierra Leone.
'Mr Jackson' is from Mississippi, a descendant of slaves who comes to Africa to
seek his roots and finds the continent to be very hard and disorienting, finding
more questions than answers. 'See Dem A Come' tells of aggression and the
subsequent suffering within African communities worldwide while 'Who Is The Enemy
/ African Mafia' is about corrupt leaders.
Of the bonus tracks only two satisfy the expectations planted by the preceding
story tracks. 'Reggae Music' is a too clean soul reggae tune but 'Nightshift' is
fine and boasts some nice deejaying by unknown vocalist Sprouti. 'After We Talk'
is a very potent and sexy lovers-reggae tune featuring Nyl Medina and could easily
become a classic. The last two tunes are a bit out of place musically and so brake
the album's spell by introducing light-hearted and up-tempo township flavoured
afro beat to the mix. 'Tell Me About The Half' could also have served as the
story's ending, thus introducing the African music earlier and in it's rightful
place.
The second disc holds the instrumentals and the dubs which means that some of the
tunes that have been presented to the listener twice already get two additional
treatments. In my humble view the second disc is superfluous especially since the
first disc only takes forty-six minutes and so has plenty of time left. If the
album had focussed solely on the story and on Shabaka, maybe adding another
chapter or extending some mixes into dubs, it would probably have deserved a four
and a half star rating.
(Teacha Dan, February 2008)
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