REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
Intelligent reggae with a jazzy pop streak is what would best describe Taj Weekes
and Adowa's sophomore album Deidem. After their 2005 debut album Hope
& Doubt made quite an impact with music lovers the world over,
Deidem is the second album for Taj Weekes and his band Adowa. The title
means 'all of us' and indeed the songs reverberate with meaning and messages for
all.
Taj Weekes was born and raised on St. Lucia before he moved to the United States.
He had already learned about Rasta from his elder brother and this provided him
with a tight intellectual base. In New York the singer formed Taj Weekes &
Adowa and after their debut got some powerful reviews and plenty radio airplay
they built a strong fan base by extensively touring the U.S.
Weekes is a very gifted songwriter. The lyrics are very intelligent and poignant
and far removed from most of his Jamaican contemporaries. Deidem contains
songs about issues such as the environment, Darfur and hurricane Katrina but also
tunes about more every day problems like violence, being Rasta, biased media and
even love songs are not shunned. Weekes' vocabulary is extensive and he chooses
his words very carefully. The lyrics provided in the booklet read like
well-crafted poetry.
Like some African reggae artists Taj Weekes has a high-pitched voice that he uses
in a typical gentle way. It gives his music a sort of easy listening quality that
is regrettably enhanced by the flatness of the music. The songs are not boring;
they have nice melodies and the tempo shifts sufficiently throughout the album,
they just lack bite. Proper mixing and more elaborate melodies could have made the
album a lot better. Listening often made me wonder what the songs would sound like
if for example Jim Foxx had touched the mixing board. Maybe Taj Weekes made the
right choice in providing his album with a poppy mix. At least his take on reggae
does receive airplay and plenty of press.
(Teacha Dan, July 2008)
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