REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Douweh Congo
In the last few years Europe has become a fertile soil for a homegrown
reggae industry. Germany boasts the likes of Gentelman, SEEED and Dr.
RingDing. Holland, of course, is the proud home of Rude Rich and the High
Notes, Out of Many and New Born Creation amongst others, while France has
nursed countless newcomers, too many to mention.
The release reviewed here is a collaboration between French and Jamaican
artists. The Jamaican contribution consists of veteran singers such as:
Sugar Minott, Earl 16, Little John, Tristan Palma and Tony Tuff. The
original (!!) riddims are laid down by musicians from France (French or
residing in France). And a few young buck deejays and singers, also French,
have been given the chance to spar with the veterans on some of the tunes.
First...you have to respect the fact that these artists have gone out on a
limb with their own compositions, using strictly original roots riddims. It
may take you a little longer to get your head around these tunes than it
would with some vintage riddims, but it is well worth it. A clean, rootsy
vibe is conjured up and everyone seems to be trying their best to make their
tune stand out. Of course, it's not easy to compete with men such as Sugar
Minott or Earl 16, but all in all the combination of old and new works well.
The newcomers, Testifi, Braveheart, G. Vibes and Abisha fall into the
category of LMS, Gentleman and Jr. Kelly. No over the top "fya Blazin" here,
just a modern singjay approach to an organic roots riddim. It won't always
strike you as world shocking, but given the chance these artists will grow
into fine performers with their own distinct styles. Personally I feel that
the old timers really carry this album. The new guys take some getting used
to but as I mentioned before, give them some time and they will grow on you.
This release is a must for all those who love the new roots sound as it
started taking shape around the end of the nineties. When the vibes was
nice, the riddims dared to be original and the lyrics were uplifting. There
is no "bun chi chi" or repetitive calls to "fya blaze" so these tunes are
also enjoyable outside of the hype of the dancehalls.
France has given us another example to show that reggae doesn't have to be
a strictly Jamaican affair.
(Douweh Congo)
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