REVIEW IN ENGLISH:
SOURCE: ROOTS MUSIC Reggae & Dancehall
AUTHOR: Teacha Dan
How many superlatives can fit into one review? I hope you can forgive me for the following raving review. It has to be
because this album will blow any listener away. It is beautiful, fragile, powerful, mystic, heartfelt, true, and above all
real. In danger of being overlooked as just a simple fourteen track label compilation album, it is so much more. It
features sizzling veteran singers like Earl 16, Gregory Isaacs, Little Roy and Fred Locks alongside unfamiliar but very
strong and convincing vocal talents like Empress Ayeola, Yaashanti Kemai and a host of others.
The first tune immediately delivers well crafted lyrics over a fragile yet stunningly powerful riddimtrack which reminds me
of the great songs of Bunny Wailer. A mystic and intangible melody, a vocal delivery that demands good listening, open ears
and minds, a cleansing of the soul to get you in the right groove, a tip of what is to come.
All tunes will make you itchy and easy at the same time. Who are these unknowns, why are they unknown? All of them made me
want to hold my breath so that I would not miss the subtleties of their deliveries. The settled artists get the deep Pharos
shine like they shone in their days of old. Earl 16 satisfies again, Little Roy is grand and I cannot wait for a full Fred
Locks album on Pharos records. This superb disc contains two of his songs and both could very well be reworkings of songs
omitted from his 1977 Black Star Liner set.
Pharos Frontline is a brilliantly versatile collection of some of the best reggae tunes of today. It is not a
collection of mediocre hits. It touches all reggae bases and settles straight into your heart.
If you think that this review holds too many superlatives I suggest you get your own copy. Listen to it five times in a row
and then read this piece again. If you find me wrong, let me know. I do not expect many reactions. There is just no
downside to this cd, at least not one I can think of. Maybe that I already knew some of the songs from previous Pharos
releases like those by the Amharic and Little Roy, but then again, here they again sound as fresh as ever. Maybe there
should have been more tracks? No, it should not have more, that would undoubtedly unbalance perfection.
(Teacha Dan, May 2006)
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